Name: Tibetan Silver, Gold and Bronze Objects and the Aesthetics of Animals in the era Before Empire: Cross-Cultural Reverberations on the Tibetan Plateau. Parts of Eurasia (Bar International Series) (en Inglés)
Price: 468140.00 COP
Availability: InStock
Author: John Vincent Bellezza
ISBN: 9781407354316

portada Tibetan Silver, Gold and Bronze Objects and the Aesthetics of Animals in the era Before Empire: Cross-Cultural Reverberations on the Tibetan Plateau. Parts of Eurasia (Bar International Series) (en Inglés)

Formato

Libro Físico

Editorial

British Archaeological Reports

Autor

John Vincent Bellezza

Año

2020

Idioma

Inglés

N° páginas

186

Encuadernación

Tapa Blanda

ISBN13

9781407354316

Categorías

Arqueología

Tibetan Silver, Gold and Bronze Objects and the Aesthetics of Animals in the era Before Empire: Cross-Cultural Reverberations on the Tibetan Plateau. Parts of Eurasia (Bar International Series) (en Inglés)

John Vincent Bellezza (Autor) · British Archaeological Reports · Tapa Blanda

Libro Nuevo

$ 468.140

$ 936.280

Ahorras: $ 468.140

50% descuento

Envío normal

Origen: España (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Viernes 19 de Julio y el Miércoles 31 de Julio.

Lo recibirás en cualquier lugar de Colombia entre 1 y 5 días hábiles luego del envío.

Reseña del libro "Tibetan Silver, Gold and Bronze Objects and the Aesthetics of Animals in the era Before Empire: Cross-Cultural Reverberations on the Tibetan Plateau. Parts of Eurasia (Bar International Series) (en Inglés)"

This archaeological and art-historical study is woven around rock art and ancient metallic articles attributed to Tibet. The silver bowls, gold finial, and copper alloy spouted jars and trapezoidal plaques featured are assigned to the Iron Age and Protohistoric period. These rare objects are adorned with zoomorphic subjects mimicking those found in rock art and embody an artistic zeitgeist widely diffused in Central Eurasia in Late Prehistory. Diverse sources of inspiration and technological capability are revealed in these objects and rock art, shedding light on their transcultural dimension. The archaeological and aesthetic materials in this work prefigure the Tibetan cosmopolitanism of early historic times promoted through the spread of Buddhist ideas, art and craft from abroad. The metallic articles and petroglyphs of this study are markers of relationships between Tibet and her neighbours. These transactions enabled a fusion of Tibetan innovation and foreign inventiveness, a synthesis of disparate ideas, aesthetics and technologies in the objects and rock art presented.