Name: Decolonial Imaginaries in Palestinian Experimental Film and Video: Postnational and Feminist Aesthetics (Routledge Focus on Film Studies) (en Inglés)
Price: 197782.00 COP
Availability: InStock
Author: Hole Kristin Lené
ISBN: 9781032755397

portada Decolonial Imaginaries in Palestinian Experimental Film and Video: Postnational and Feminist Aesthetics (Routledge Focus on Film Studies) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Hole Kristin Lené

Idioma

Inglés

N° páginas

168

Encuadernación

Tapa Dura

ISBN13

9781032755397

N° edición

Decolonial Imaginaries in Palestinian Experimental Film and Video: Postnational and Feminist Aesthetics (Routledge Focus on Film Studies) (en Inglés)

Hole Kristin Lené (Autor) · Routledge · Tapa Dura

Libro Físico

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Reseña del libro "Decolonial Imaginaries in Palestinian Experimental Film and Video: Postnational and Feminist Aesthetics (Routledge Focus on Film Studies) (en Inglés)"

Decolonial Imaginaries in Palestinian Experimental Film and Video focuses on an underexamined group of female Palestinian filmmakers, highlighting their relevance for thinking through a diverse set of issues relating to decolonial aesthetics; post-nationalism and gender; non-Western ecologies; trauma and memory; diasporic experiences of space; biopolitics; feminist historiography; and decolonial temporalities.Positing that these filmmaker-artists radically counter dominant media images of Palestinians, de-essentializing Palestinian identity, while opening up history and the present to new potentialities and ways of imagining Palestinian futures, Decolonial Imaginaries in Palestinian Experimental Film and Video argues that Palestinian experience is urgently relevant to all of us. As the works address issues of food availability and land use, environmental collapse and forced displacement, Hole explores how such films generate hope, imagine impossible possibilities and offer inspiration and wisdom when it comes to losing and rebuilding.Addressing a fundamentally transnational and understudied area, this book will resonate with readers working in the areas of film and media studies, Palestinian cultural studies, historiography, Middle East studies and experimental film.